![]() ![]() However, for Derrida writing is not mimesis of speech, nor speech mimesis of thought, as it was in the Western logocentrism. Structuralism, as Derrida states tend to re-inscribe priority of spoken word and model of phonetic writing. He shows that philosophy arises as writing from writing and not from transcendental sphere of thinking.“ It is about the criticism of the Platonic tradition of understanding of the writing as external, secondary and lifeless technical writing in comparison to the living speech. Derrida's presentation of philosophy as scene of language or scene of writing deconstructs the two thousand years long tradition of the Western logocentrism. PJEŠIVAC to the hypothesis that unconscious is structured like a language (3) philosopher Jacques Derrida showed that language is a scene on which philosophy happens, that is that literature is threshold of philosophy. ![]() In metaphorical notation: (1) psychoanalyst Sigmund Freud discovered another scene, the scene of unconscious (2) psychoanalyst Jacques Lacan opened the scene of language for unconscious pointing out Received Septem/ Accepted FebruCorresponding author: Ţeljka Pješivac, Independent researcher 21000 Novi Sad, Serbia E-mail: 432 Ţ. For structuralist and post-structuralist theory the inherent tendency is to show all phenomena of culture through language (linguistic and semantic) models. ![]() SCENE OF WRITING Scene of writing or scene of language refers to “the metaphorical scenes on which one presents the role, meaning and sense of linguistic and semiotics languages in the fine and visual arts. ![]() Key words: poché, derivé, scene of writing, the Jussieu Library 1. How does Koolhaas embody operative ideological practices of post-structuralism in the case of the Jussieu Library? How can we understand the concept of architectural promenade as a scene of writing? In other words, how can we understand the architectural promenade as a field of lines of deterritorialization and reterritorialization of different narratives, discourses, ideologies, contexts? What role could this concept of the architecture have in a society? In a theoretical context the study draws on the investigations of: Jacques Derrida, Michael Foucault, Joseph Beuys, Gilles Deleuze and Félix Guattari. In other words, from the understanding of the concept of architectural promenade as a self-reflexive, abstract and autonomous concept, we move to the understanding of the architectural promenade as culturally dependent, but also for culture and society determinant concept. The main hypothesis of the study is that Koolhaas produces in the project for the Jussieu Library transgression of language of modernistic architecture conceiving the concept of architectural promenade as a scene of writing. This study investigates implementation of the conceptual and textual techniques associated with poststructuralism (such as the poststructuralist concepts of writing, text, intertext, discoursive practices) in Rem Koolhaas's project the Jussieu Library (1992) planned within the Sorbonne University complex in Paris. 431 - 438 ARCHITECTURAL PROMENADE AS SCENE OF WRITING: THE JUSSIEU LIBRARY (1992) BY OMA/REM KOOLHAAS UDC 727.8 Željka Pješivac Independent researcher, Novi Sad, Serbia Abstract. FACTA UNIVERSITATIS Series: Architecture and Civil Engineering Vol. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |